I played an X-500, but on this record I used the Guild Artist Award. "I got really good sounds with those guitars. I was very proud that they liked what I did and gave me guitars, so I played the crap out of their instruments. Sometimes I played D’Angelicos, but I was really into the Guilds at this time. “I had developed a nice relationship with the people at the Guild Guitar Company. I played pretty much the standard chord changes with no real harmonies – that was just my mindset at the time. He knew all about the substitutions a player can use to make a song more interesting. “Herbie played some beautiful harmonies, and he forced me into thinking more along those lines. On this track we had Ron Carter on bass, Billy Cobham on drums, and Herbie Hancock on keyboards. The first side of the album was R&B, and the second side was jazz. “I didn’t have the musicianship that I would have loved to have had, but that eventually came. Sometimes I made it more, but most of the time… well, let’s just say I made it. Every song came to me the way it came to me, and I tried to live within the context of the song. I didn’t have anything special going on, but I was growing quickly. I was pretty much a flat-out guitar player at the time. “What's New?“ – George Benson, Giblet Gravy (1968) I’m a mixed bag of all those people.”īelow, Benson shares some stories about the recording of five especially noteworthy tracks from his remarkable career. Wes Montgomery was a big favorite of mine. King, Muddy Waters, T-Bone Walker, Barney Kessel… And of course, there’s Tal Farlow, Hank Garland, and Grant Green.
“I studied everybody – Charlie Christian, B.B. “I kind of take from everybody and it comes out like me,” he says modestly. Starting in the mid ’70s, Benson’s golden singing voice – he actually started out as a vocalist, performing in clubs at the age of eight – landed him on AM radios, but nearly a decade before, he established his reputation as a supremely tasteful instrumental craftsman whose warm tone, effortless speed, (you never got the feeling he was sweatin’ it) and hook-filled phrasing combined to form an instantly recognizable signature sound. “They said, ‘Man, we loved what you did with our music.’ After that, I was glad I made the record.” The contemporary jazz world is just now starting to catch up with those inspirations.He adds that his wounds healed quickly once he heard from the Beatles themselves. What is George Benson's jazz style? In 1976, George Benson created music that blended his first-rate, straight-ahead jazz guitar chops with elements of R&B and seductive Latin rhythms. What is the name of George Benson's fifteenth album? Breezin' is the fifteenth studio album by jazz / soul guitarist George Benson. that George Benson was 44 years ahead of his time. "Breezin'" sounded better than almost anything now being played on contemporary jazz stations, proving, astonishingly. Was George Benson 44 years ahead of his time? They played "Affirmation" from George Benson's "Breezin'" album, which was recorded in 1976. Learn More – opens in a new window or tab International shipping and import charges paid to Pitney Bowes Inc. The web is severely lacking in any decent transcripts of this one.
Breezin george benson bass pdf#
Info about George Benson Breezin Pdf Is there a transcript of Breezin by George Benson on guitar? Learning Breezin by George Benson on guitar became very easy with our tabs.